{"id":3922,"date":"2023-04-21T12:16:43","date_gmt":"2023-04-21T12:16:43","guid":{"rendered":"https:\/\/zatma.org\/?p=3922"},"modified":"2023-04-21T14:00:37","modified_gmt":"2023-04-21T14:00:37","slug":"we-play-with-paste-by-emily-dickinson-1862","status":"publish","type":"post","link":"https:\/\/zatma.org\/?p=3922","title":{"rendered":"We play with Paste by Emily Dickinson, 1862"},"content":{"rendered":"
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\"\"<\/a><\/strong><\/p>\n

We play at Paste \u2013<\/strong><\/p>\n

We play at Paste \u2013<\/em><\/p>\n

Till qualified, for Pearl \u2013<\/em><\/p>\n

Then, drop the Paste \u2013<\/em><\/p>\n

And deem Ourself a fool \u2013<\/em><\/p>\n

The Shapes, tho\u2019, were similar,<\/em><\/p>\n

And our new Hands<\/em><\/p>\n

Learned Gem Tactics<\/em><\/p>\n

Practicing Sands \u2013[1]<\/a><\/strong><\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 F282 (1862)\u00a0320 Emily Dickinson<\/p>\n<\/div>\n

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\n
\n<\/div>\n<\/div>\n

Play Leads to Learning<\/strong><\/h3>\n

Poetry, like spirituality, is personal. Both require our willingness to study and reflect and search for the message within our mind. We search for our own connotation in the poem and in our life experiences.<\/p>\n

Some readers consider it a poem about childhood and maturity, others consider it a reference to love and love affairs – in this piece we will see it as a spiritual message without rebuke.<\/p>\n

The title,\u00a0We Play at Paste.\u00a0<\/strong><\/em>suggests that \u2018we\u2019\u00a0<\/em>refers to\u00a0<\/em>each of us. A claim of universal play.<\/p>\n

Play, Leads to Learning<\/strong>\u00a0sums it up.\u00a0We play with Paste\u00a0<\/em>is not a fool\u2019s game although we may think it is.\u00a0<\/em>It depends on how we understand it.<\/p>\n

\u2018Play\u2019 has several connotations from\u00a0amusement\u00a0<\/strong>to\u00a0engaging with<\/strong>\u00a0a thing. We have indeed amused ourselves and engaged with things that we later realize are\u00a0Paste.\u00a0<\/em>This realization comes from experience not from any sort of rule or belief.<\/p>\n

Nothing goes to waste even when we value it as fake. Fake meaning\u00a0specious, deceptive,\u00a0<\/em>and\u00a0fraudulent.\u00a0<\/em>Everything comes to awaken us. We all yearn to know and find the real gem, but often are unable to do so.<\/p>\n

We all have been\u00a0fooled\u00a0<\/em>one time or another.<\/p>\n

Being fooled is a\u00a0universal\u00a0<\/em>experience just as\u00a0spirituality\u00a0<\/em>is a universal awakening.<\/p><\/blockquote>\n

Paste in this context refers to a heavy, clear material used to make an imitation gemstone. It looks real, genuine but it turns out to be an imitation. If we are not attentive, it fools us. It is meant to fool us.<\/p>\n

Playing around rests on our lack of attention that comes from desire. The desire clouds our ability to realize the Paste we play with is costume jewelry. It may glitter, it may look good, but it turns out to be a fake.<\/p>\n

We get bent-out-of-shape when someone else suggests we have been \u201cfooled.\u201d Sadly, we are often the last person to see the truth of our foolhardiness.<\/p>\n

Hold on! All is not lost. We need experiences such as\u00a0playing with Paste<\/em>\u00a0to wake up. Yes, indeed it is a\u00a0blessing in disguise.<\/em>\u00a0Apparent misfortune, if understood, teaches us to look for the real gem.<\/p>\n

We recognize that we have played with what is\u00a0not\u00a0<\/em>real. Real meaning things that are impermanent; that which do not sate our desires. Yes, there is disappointment that follows this realization but that is short-lived. The awareness far outweighs the sense of being a fool. The\u00a0Playing\u00a0<\/em>was in the end a necessary experience.<\/p>\n

\n
\n
\n<\/div>\n

We play at Paste \u2013<\/em><\/p>\n

Till qualified, for Pearl \u2013<\/em><\/p>\n

Then, drop the Paste \u2013<\/em><\/p>\n

And deem Ourself a fool \u2013<\/em><\/p>\n

\n
\n<\/div>\n

 <\/p>\n<\/div>\n

All the foolish playing around with an imitation qualifies us to find a real gemstone.<\/p>\n

What a relief that there is no\u00a0wasting of time.<\/strong><\/em>\u00a0Playing with Paste comes to awaken us, to teach us even when we think otherwise. We do not need to judge or measure the things we do. If we realize that everything awakens us, whether painful, foolish, or idiotic, we find a bit of gold.<\/p>\n

But as we all know,\u00a0gold is hidden \u2018in them thar\u2019 hills<\/strong>. There is work to do. Knowing that the gold is hidden requires a willingness to mine the gold. We must extract value from the experience of\u00a0playing with paste till qualified for Pearl.\u00a0<\/em>What did we learn?<\/p>\n

Once we recognize that we were practicing with the paste to qualify for handling pearls, a tiny light comes on. The light gives us the wherewithal to study with the next line,\u00a0Then, drop the Paste \u2013\u00a0<\/em>which translates to:<\/p>\n

\u2026give that foolish activity up, straight away. STOP playing with paste.<\/p>\n

This requires that we do not harangue or criticize ourselves or others. We accept the situation. We see that playing with paste requires dropping the fooling around with the fake stuff of the world.<\/p>\n

D<\/strong>rop the Paste.<\/strong><\/em>\u00a0Even though we tend to blame ourselves or the costume jewelry. If we go into agitation in the mind, we find thoughts of self recrimination. Discard all blame and begin to dig for the gold that is hidden there.<\/p>\n

\n
\n

The Shapes, tho\u2019, were similar,<\/em><\/p>\n

And our new Hands<\/em><\/p>\n

Learned Gem Tactics<\/em><\/p>\n

Practicing Sands \u2013[2]<\/a><\/strong><\/em><\/p>\n

\n<\/div>\n

The fifth line is a gem!<\/p>\n

The shapes, tho\u2019, were similar\u00a0<\/em>is a strong explanation of what leads us to mistake the material world as the real deal. It looks like the real jewel! We get confused by the glitter and promises of the material realm and find ourselves caught in consuming more of a thing thinking it is real.<\/p>\n

As we accept playing around, as we accept that we were fooled, we study the gemstones and see how easily we were caught unawares. Fake jewels look very much like the real thing. When we know we have been fooled, we acquire\u00a0new Hands<\/strong>. And with this new skill we recognize we need to learn how to manage real gemstones.<\/p>\n

Nothing is wasted. No one is blamed. No one is ultimately a fool when we recognize that we require practice.<\/p>\n

Everything IS practice.\u00a0Playing with Paste<\/em>\u00a0leads to learning\u00a0Gem Tactics!<\/em><\/p>\n

\"Humming<\/h1>\n

Author: Fly<\/p>\n

Old Moon<\/p>\n

Zen Contemplative of the Order of Hsu Yun<\/p>\n<\/blockquote>\n

ZATMA is not a blog.<\/p>\n

\n

\u00a0If for some reason you need elucidation on the teaching,<\/p>\n

please contact editor at:\u00a0yao.xiang.editor@gmail.com<\/a><\/p>\n<\/blockquote>\n

\"\"<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

We play at Paste \u2013 We play at Paste \u2013 Till qualified, for Pearl \u2013 Then, drop the Paste \u2013 And deem Ourself a fool \u2013 The Shapes, tho\u2019, were similar, And our new Hands Learned Gem Tactics Practicing Sands \u2013[1] \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 F282 (1862)\u00a0320 Emily Dickinson Play Leads to Learning Poetry,… <\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":70,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[4,185,1],"tags":[],"class_list":["post-3922","post","type-post","status-publish","format-standard","hentry","category-essays","category-fashi-lao-yue","category-uncategorized"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/zatma.org\/index.php?rest_route=\/wp\/v2\/posts\/3922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zatma.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zatma.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zatma.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/zatma.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3922"}],"version-history":[{"count":6,"href":"https:\/\/zatma.org\/index.php?rest_route=\/wp\/v2\/posts\/3922\/revisions"}],"predecessor-version":[{"id":3929,"href":"https:\/\/zatma.org\/index.php?rest_route=\/wp\/v2\/posts\/3922\/revisions\/3929"}],"wp:attachment":[{"href":"https:\/\/zatma.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zatma.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zatma.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}